Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip. — Christ Driving the Money Changers from the Temple, c. 1570-75
El Greco (Domenikos Theotokopoulos)

G341

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside. — The Death of Germanicus, 1627
Nicolas Poussin

G313

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord. — Lucretia, 1666
Rembrandt van Rijn

G311

Coffin of Lady Tashat, Ancient Egyptian — Coffin of Lady Tashat, 945-712 BCE
Ancient Egyptian

G250

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature. — Olive Trees, 1889
Vincent van Gogh

G355

Portrait. Mythology. History. Oval. — Portrait of Mlle. Lange as Danae, 1799
Anne-Louis Girodet de Roussy-Trioson

G306

Pointillism. Landscape. Fishing port. — Port-en-Bessin, 1888
Georges Seurat

G355

ear studs, pair, of hammered and engraved gold; the concave disks with beaded edges are decorated with an applied motif bearing four figures; above, a demi-god with elaborate aureloe headdress riding on a bar borne by three other figures; in one hand he holds a beaker-cup; in the other a bag adorned with loose bangles; two of the lower figures wear modified aureole headdresses and carry beakers; all are half-human, half-beast; the bar on which the demi-god rides is finished at the ends with demon heads; loose bangles are variously applied in the design; the tubes of the ear studs are decorated with engraved bands of cats and birds, and soldered to the backs of discs — Ear Spool, c. 1150-1450
Chimu

G260

frame Spanish or Italian, c.1600 — Erminia and the Shepherds, 1648–49
Guercino (Giovanni Francesco Barbieri)

G330

Group portrait of six Italian writers and poets: Dante Alighieri, Francesco Petrarch, Guido Cavalcanti, Giovanni Boccaccio, Cino da Pistoia, and Guittone d'Arezzo. — Six Tuscan Poets, 1543–44
Giorgio Vasari

G341

Mortuary figures, pair of, representing warriors both wear armor, with curious head-dresses, and one carries a sword-like object. Four of these figures were found at the entrance of a tomb in Honan province. Two bought by M.I.A., and two by the Boston Museum of Fine Arts. They are fashioned of polychromed pottery of the greyish cast associated with Wei. Traces of faded terra cotta color remain. These are unusually large tomb figures. — Tomb Guardian Figures, early 6th century
China

G208

Landscape. Romantic landscape with large trees, and a bridge suspended between two great rocks. In the foreground groups of figures strolling, talking and riding. This scene painted at the Chateau de Méréville. Park Méréville — The Rustic Bridge, Château de Méréville, France, c. 1785
Hubert Robert

G306

Arm Chair, Palagio Pelagi, Italian, XIXc cat. card dims 42-1/4 x 26-1/2 x 22' reupholstered in 1993-1994; see file for details — Armchair from a pair of armchairs, 1835
Filippo Pelagio Palagi; Maker: Gabrielle Capello ("Monclavo"); Maker: Carlo Chiavasse

G324

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS — Les Trois Grâces (The Three Graces), c. 1872
Jean-Baptiste Carpeaux

G321

Landscape. Chestnut trees. Impressionism. — Chestnut Trees at Jas de Bouffan, c. 1885-1886
Paul Cézanne

G355

City view in general; "veduta"; trompe l'oeil. The interior of a room with a painting on an easel sitting in front of a window. Through the window a cityscape can be seen; the scene on the painted canvas seems to exactly replicate that section of the city which it blocks from view. Two triangular shapes dominate the center of the painting. One is the conical roof of a stone tower, while the other is a near-empty avenue shown in rapidly receding perspective. These two triangles are an oblique reference to Euclid, the father of geometry. — The Promenades of Euclid, 1955
René Magritte

G376

A Hermit Praying, 1670

Gerrit Dou

G309

Cassone or Wedding chest, decorated with sculptural relief depicting the Four Cardinal Virtues flanked by candelabra with armorial bearings; scene of the Rape of Prosperine fighting centaurs and a centaur carrying a woman — Wedding chest (cassone), 1475–85
Unknown Artist, Italian (Lucca)

G343

La Place du Théâtre Français (Pluie) — Place du Théâtre Français, Paris: Rain, 1898
Camille Pissarro

G355

Mary Magdalene, Attributed to Nikolaus Gerhaerts van Leyden — Mary Magdalene, c. 1460
Attributed to Nikolaus Gerhaerts van Leyden

G342

Portrait. George Washington in red drapery, black costume with white frills. No signature visible. — Portrait of George Washington, c. 1820
Thomas Sully

G305

Bust — Portrait of Luca Salvioni, c. 1536
Agostino Zoppo

G340

Landscape with cattle — Fontainebleau Oaks, c. 1840
Jules Dupré

G321

Standing Guanyin with lotus bud(?) in left hand, right hand missing, inscribed base which bears the date 571 A.D., translation of inscription filed with purchase blank, from Xi'an in Shaanxi province. — Standing Bodhisattva, 571
China

G200

Bowl, Seljuk dynasty, light creamy earthenware, covered with a thick coat of opaque white tin enamel. Funnel-shaped, with straight standing rim, slightly ridged on outside where it is decorated with Cufic characters in black. Low raised foot. Inside of rim decorated with conventionalized band of Cufic characters in gold, blue and red. Medallion in center of bowl shows three figures in blue and gold garments; this medallion is surrounded by ten smaller figures, eahc in a separate 'niche', and above this is a row of sixteen still smaller figures. All figures shown with gold nimbus. Mended; has been broken in many pieces. Saveh excavation. — Bowl with Courtly Scene, c. 1180-1220
Iran

G243

Feather Currency (tevau), Solomon Islands — Feather Currency (tevau), 19th century
Solomon Islands

G256

Caffieri, 'Portrait Bust of M. De Neuville', marble, French XVIIIc. cat. card dims H. 21' x W. 22'; base to bust stored as well 11-1/4' x 8' x 8' — Portrait Bust of M. de Neuville, Captain of Artillery and Comptroller General, c. 1780
Attributed to Jean-Jacques Caffieri

G317

Landscape depicting the ruins of the Temple of Vespasian. — Roman Landscape with Cattle and Shepherds, 1676
Johann Heinrich Roos

G309

Nabi. Tahiti. Landscape with two females and a dog. — I Raro Te Oviri (Under the Pandanus), 1891
Paul Gauguin

G355

Chief's chair, Asante — Chief's chair, 19th century
Asante

G250

Historical. Charles I, King of England. A helmeted Britannia, wearing violet drapery, holds steady the golden crown which England and Scotland, in red and yellow draperies, suspend above the head of the Infant Charles I. Two putti above support an escutcheon with the arms of the United Kingdom lightly indicated, and a putto below holds a torch to a heap of armor, spears, and dull red banners which the union makes no longer necessary. — The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34
Peter Paul Rubens

G313

One of a pair of marriage portraits (see 57.10) — Portrait of Moritz Buchner, c. 1520
Lucas Cranach the Elder

G342

1756 - Benedict XIV Presenting Ex Omnibus to Choiseul. — Pope Benedict XIV Presenting the Encyclical "Ex Omnibus" to the Comte de Stainville, Later Duc de Choiseul, 1757
Pompeo Girolamo Batoni

G307

Holy Family, Luis Tristán — Holy Family, 1613
Luis Tristán

G341

Three figures as a support for a round top. PL figure is holding drum, center figure is on a horse and PR is female with a child on her back. Figures on irregularly shaped base. — Divination tray, mid 20th century
Yoruba

G254

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them. — Journey of the Magi, c. 1894
James Tissot

G357

Portrait of a woman — Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793
Elisabeth Louise Vigée-Le Brun

G306

large door; carved jambs, lintel and central post on door; two complete rows remaining of large iron fasteners on door surface; only two remain in lower row; iron chain, plate and securing pin at top right center of door; four pins along center post on door — Door, mid 19th century
Swahili

G242

modified telephone; lobster receiver — Aphrodisiac Telephone, 1938
Salvador Dali

G376

life-size carved statue of a bearded votary; In the archaic Cypriote style. The features show the mixed oriental style transformed by Hellenic influence; His head bears a wreath of leaves and berries permitting rows of small curls to frame his forehead. The beard is rendered in four stiff rows of curls. The skin tight tunic has no pleats, and the cloak which falls from the left shoulder is thrown over the left arm. Beard slightly defective. strong frontality and Greek 'archaic' smile — Votary Figure, c. 470 BCE
Ancient Greek

G241

Dutch landscape. Golden Age of Holland. A wide river with various river craft, which stretches across the width of the canvas and flows to meet the horizon. In the far right distance, a village can be seen through a gentle mist, while on the wooded bank to the left, a cart filled with singing and shouting peasants stands before a row of cottages. As they wave to the boatload of passengers approaching the shore, a ferryboat loaded with cattle pushes off. Further upstream, a boat in full sail carries its passengers toward the distant hamlet with its church steeple. — River Landscape with a Ferry, 1656
Salomon van Ruysdael

G311

Old base (b) R5A2.1 MS — Psyche Abandoned, c. 1800
Augustin Pajou; Caster: Possibly Pierre-Philippe Thomire

G306

Cubist still life. — Table and Fruit, 1909
Fernand Léger

G367

Still life. Neoclassicism. — The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766
Jean-Baptiste-Siméon Chardin

G306

The Gamblers, Hendrick ter Brugghen — The Gamblers, 1623
Hendrick ter Brugghen

G312

Portrait of philosopher, scholar - head — Head of a Philosopher, 1750s–60s
Domenico Tiepolo

G307

Dutch Golden Age. Landscape with figures. Genre. In the foreground, a group of men playing ancient Dutch game of 'kolven' (golf). Middle distance, tower surrounded by a wall. In the distance, cottages and mountains. Rocky landscape to immediate left. — Landscape with Men Playing 'Mail à la Chicane', 1624
Paul Bril

G312

Wooded landscape with watermill, on the right bank of stream to left of center, a huntsman in a scarlet coat. Beyond the mill in left background, a tile-roofed cottage. To the right a herdsman with cattle in a road. The scene is the same as that in the Louvre (2404) painting in which the mill is seen from side. The figures are attributed to Lingelbach. Frame 84.32, c.1650, Dutch ebonized fruitwood ripple frame, 42 x 49 in. Purchased from Paul Mitchell, London. The William Hood Dunwoody Fund — Wooded Landscape with Watermill, c. 1665
Meindert Hobbema

G310

The Anointing of the Body, copper, enamel frieze — The Entombment of Christ, c. 1250
France

G340

Providence parlour, United States — Providence parlour, c. 1760-1770
United States

G335

one of a pair of andirons of a type found chiefly in Holland in the 17th and 18th centuries — Andiron, one of a pair, 17th century
Netherlands

G326

Tea Caddy, ceramic, rectangular gold band, floral swags in orange, German XVIIIc cat. card dims 4-3/4 x 2-1/2 x 1-1/2' ; Holiday Traditions, Northumberland Room — Tea caddy, Date Unknown
Germany

G324

Coffee Pot with lid, ceramic with wood handle German XVIIIc cat. card dims 9-1/2 x 11' — Coffee pot, 18th century
Furstenburg

G324

white and black, red trim; five teeth inside opening between eyes; red protrusion above head, curving downward; front of body (above head) X design below zigzag; back of body checkerboard pattern; U-shape at top — Plank Mask, c. 1960
Bwa

G254

Calendar plate (October), c. 1568

Pierre Reymond

Not on View

hide shirt with fringe on arms and neckpiece and short fringe on bottom; beaded strips on sleeves and over shoulders; triangular beaded flaps at neck, front and back; pink beaded ground with geometric multicolored designs — Shirt, c. 1890
A'aninin (Gros Ventre)

Not on View

video with animated black and white images on the turning pages of a book; imagery includes man walking and birds; music with vocals; blue presentation box in the form of a book with text from a dictionary at interior; removable cardboard tray with Blu ray DVD and USB flash drive; gold USB drive tied to tan ribbon attached to left side of cardboard tray; WD TVLive streaming media player, power cord, remote and three brochures (technical and warranty guide, connection instructions and promotional brochure) — Second-hand Reading, 2013
William Kentridge; Editor: Snezana Marovic; Composer: Music by Neo Muyanga

Not on View

horse on doughnut-shaped base supporting bullet-shaped drum on its back; horse has carved details of bridle, saddle, and neck ornament; drum has organic curvilinear decorations; heightened in red, white and green pigments; large pegs hold drum head onto drum body; each portion of drum head below pegs are wrapped in plant fibers — Drum, early 20th century
Baga

G254

low rolling mountains at top; figures with boats and on peninsulas of land at center; buildings at bottom with figures on porches and in interiors; two men wearing furs on a boat at bottom center; muted colors; bare trees around buildings — Winter at Villa on the River, 12th-14th century
China

G203

seated figure of Mary with long, thick brown hair, wearing rich robes of gold, blue and red, holding nude baby Jesus on her lap, breastfeeding; Jesus' brown hair is styled in ringlets close to his head — Virgin of the Milk (Virgen de la leche), c. 1500
Circle of Gil de Siloe

G340

sketchy 3/4 length portrait of a man wearing a grey jacket and a tan hat with a brown handlebar moustache, looking toward his left; man holds a cigarette in his PL hand on which he wears a pinky ring; man wears a boutonniere on his PR lapel; received in medium toned wood frame — Portrait of the Painter Francesco Santoro, Rome, 1887
Joaquin Sorolla y Bastida

G355

green jade; top carved with large dragon and small dragon holding a ball between their mouths; gold cord with tassels through mouth of larger dragon; carved inscription on bottom — Imperial Seal, Date Unknown
China

G103

white ground; tree at center; foliage and multicolored flowers; cream backing with Velcro heading band — Palampore, late 18th century
China

G281

two figures seated on round body of vessel with plates of food in front of them; spouts protrude from backs of both figures and joins in a "U" shape; beige with maroon highlights — Vessel, c. 100-200
Moche

G255

Portrait of Giuseppe Alberto de Ambiveri — Portrait of Giuseppe Alberto de Ambiveri, Vicar of the Mines of Bergamo, c. 1740
Giuseppe Ghislandi, called Fra Galgario

G307

Cathedral interior. Orphism. — Saint-Séverin No. 2 (recto); Study for 'The City,' with the Eiffel Tower (verso), 1909
Robert Delaunay

G367

Rich light brown patina with lacquer. The figure stands with left arm raised and the weight resting on the right foot. The left foot is placed on a skull, a very rare feature. On stepped, circular, mottled green base. On the base of the bronze, the number 27 (Mayer Collection). — Anatomical Man (Ecorché), c. 1600
Italy

G310

Portrait of John Langston, Esquire, of Sarsden, Thomas Gainsborough R.A. — Portrait of John Langston, Esquire, of Sarsden, 1787
Thomas Gainsborough R.A.

G306

Man from Sudan in Algerian Dress, Charles-Henri-Joseph Cordier — Man from Sudan in Algerian Dress, c. 1850-1857
Charles-Henri-Joseph Cordier

G357

Lien (casket), circular, standing on three bears legs, black terra cotta, covered with white slip; painted in red and black design of dragons and clouds. These hill jars usually decorated with bands of relief instead of painting. Examples of Han painting are rare. — Lian (Cosmetic Box), 2nd century
China

G204

Stirrup-handle jar in the form of an owl with a fat body. The face, plastically rendered, is painted buff color; the rest of the body is red and burnished. — Vessel, c. 200 BCE - 600 CE
Moche

G260

Bronze bell (Dotaku); Dotaku- Bronze Bell with so-called 'crossing bands' (in Japanese Kesadasuki) decoration. Fine natural green patina; no repairs, in excellent condition. Excavated at Chiwa-Yama, Yashu-gun, Ohmi Province (now Shiga Prefecture) in the 14th year of Meiji, or 1881 A.D. This was on the 14 bells found, the largest of which is now in the Tokyo national Museum. with a box authentication of Professor Sueji Umehara. Modern wooden storage box has authentication by Professor Umchara. — Ritual Bell (Dōtaku), 1st century BCE-1st century CE
Unknown Japanese

G205

Bowl, Abbasid dynasty, early Islamic Samarra type, with rounded sides and flattened, out-turned lip. Greyish pottery with opaque greyish white glaze, painted in light-dark blue with conventionalized design consisting of two highly stylized flowers(?)(double Pomgranates?) joined at the base, within a garland resembling laurel. Low foot. Broken and mended. Rey excavation. — Bowl with abstract (Anthropomorphic?) design, 9th-10th century
Iraq

G243

Boshanlu censer, China — Boshanlu censer, 1st-2nd century
China

G215

Bowl, wide-mouthed wit slightly constricted neck, painted in polychrome. The decoration occupies two bands, set off from each other by a glyph* border about two-thirds of the way up the body. The lower band is divided into six panels, three of which contain seated personages elaborately dressed and carrying ceremonial objects in the left hand. These panels, painted brick red and black on a pale orange ground, alternate with fluted panels, painted brick red. The upper band is decorated with a line of seated personages wearing peaked turbans and separated one form the other by serpent and feathered motifs. The colors repeat those of the lower band. Inside the rim is a wide band of pale orange with a line of stylized heads with towering, paddle-shaped headdresses. Restored. * Glyphs are pseudo-glyphs — Bowl, c. 800-1200 CE
Maya

G260

The Village, Albert Gleizes — The Village, 1913
Albert Gleizes

Not on View

Number on object is difficult to read; soft paste porcelain with floral decor in underglaze blue — Dish, late 18th century
Netherlands

G310

ink tablet, form of tortoise with cover, standing on its four feet; cover decorated with incised designs of scales with the Pa Kwa; inscribed with the eight trigrams of the 'Yi-Ching' (The Book of Changes), representing the various forms of change, principles or laws of the universe — Ink tablet in the form of a turtle, 1st century
China

G201

a.k.a. The Roman Matron — Roman Matron, 50-60 C.E.
Roman

G241

Beaker, Tsun, decorated with three bands of geometrical incised designs. The middles band, with feather design, has three protruding bosses regularly spaced; the lower band, with simple design of horizontal lines, also has three protruding bosses. The base, with slightly flared bottom, is decorated with incised lines. Polished surface, no glaze. — Beaker (zun), 12th century BCE
China

G204

tapestry; warp undyed wool, 7½-8 ends per cm., weft dyed wool and silk, 24-28 ends per cm.; woven at the Royal Beauvais Manufactory; from the series Grotesques; lining is sewn to the tapestry — The Camel, designed 1686–1688 (woven 1688–1695)
Jean-Baptiste Monnoyer and collaborators; Cartoonist: Jean-Baptiste Monnoyer; Weaver: Royal Beauvais Manufactory under Philippe Behagle; Sponsor: Phillipe Behagle

Not on View

One of a pair of paintings, see also 39.9 — Castle on the Rhône River, France, c. 1765–80
William Marlow

G314

1200-1350 A.D.; excavated at Temple Mound (LaFlore, OK) in 1940s — Gorget, c. 1200-1350
Spiro Mississippian

Not on View

old map of Minnesota over painted with images of soldiers, hands holding weapons and other various objects along right edge and a column on Native Americans at LLC; all figures facing left — They Say Minnesota Nice (Minnesota Nice Oyakepelo), 1995
Wanbli Koyake

Not on View

Tabwa Mask, colored glass beads, feathers, cloth raffia and skin, Zambia late XIX-early XXc. — Mask, second quarter of 20th century
Tabwa

G236

fine sky blue glaze flushing into areas of purple. glazed stoneware — Plate, 12th-13th century
China

G204

Bowl, Abbasid dynasty, early Islamic Samarra type, shallow, with rounded sides and flattened, outturned rim. Greyish pottery with opaque greyish white glaze painted in dark blue with a formal design consisting of an eight-petaled opaque flower within a diamond, which is within a square, the four corners of which are held out by an opaque three-pronged design with a long leaf. Low foot. Rey excavation. Broken and mended. — Bowl with diamond, floral, and vegetal design, 9th century
Iraq

G243

Incense burner, tripod, geometrical design. Grey earthenware, impressed with markings which indicate that the wet clay has been wrapped in matting. Pieces of this Neolithic mat-marked pottery were found in Honan; made without wheel. The clay clinging to it makes it look tan in color. — Li tripod, 13th-12th century BCE
China

G204

New Testament parable (Luke 15:11-32): A lively scene showing the Prodigal Son at supper with courtesans at an inn, accompanied by servants and musicians. The room, whose light source comes from a high leaded window on the left, is filled with many still-life details and rich symbolism. In the far left corner is a four-postered bed completely enclosed by velvet drapery. On the opposite side of the room through the open doorway, a thief is being chased by an angry woman, while another figure in a second-story window empties a chamber pot onto his head. Just inside the doorway, hanging on the wall, is a wooden board used for recording the guest's food and wine bill. Having placed his red velvet cloak, plumed cavalier's hat, fur piece and sword on a nearby chair, the Son sits at the round dining table and holds out his glass for a serving boy to fill. On the right, a serving woman carrying a covered pewter platter exchanges a word with the woman whose back is toward us, while a small dog wags his tail in anticipation of receiving the table scraps. A fiddler and a flutist stand behind the table, merrily playing their instruments. On another cloth-covered table in the left foreground are a pitcher, two glasses, and several loaves of crusty bread. On the floor below is a copper wine cooler containing several bottles of wine. Nearby, a monkey, dressed in a striped coat and wearing a ball and chain, munches on an apple. — The Prodigal Son, c. 1640
David Teniers, the Younger

G312

may represent the nature goddess or "Great Mother" of early man.; simple, schematic standing figure with crossed arms — Female Figure, c. 2500-2400 BCE
Cycladic

G241

Saint Ambrose Father of the Catholic Church — Saint Ambrose, 1623 or 1625
Claude Vignon

G330

Portrait. — Portrait of an Ecclesiastic, late 1550s
Giovanni Battista Moroni

Not on View

Portrait of a young boy, three quarters view, with a dog — Portrait of James Ward, 1779
Gilbert Stuart

Not on View

Charles II repoussé tazza; fully marked on rim and with lion passant underfoot; shallow circular dish with wide flat rim embossed in bold relief with a wolf, a boar, a turkey, and a falcon amid undulating stems of leafage and large blossoms with punchwork tendrils; on low, hollow flaring foot with flat rim — Footed salver, 1662-1663
RF

G350

Sarcophagus, with accompanying memorial tablet and cover, made for the Chinese General, Prince Cheng Ching, 524 A.D. The six bas-reliefs comprising this group include the two ends and two sides of the sarcophagus, the tablet, and its cover. The sides are decorated in low relief with five groups of historical personages, illustrating filial piety scenes, in a landscape of trees and mountains in which dragons, phoenix, and other symbolical animals roam. The head end bears a scene including a bridge leading over a lotus pond to a gate decorated with 24 bells representing 12 pairs of musical accords. Two guardians flank the gate. The foot end carries a large dragon in a landscape. The memorial tablet bears a long inscription including Cheng Ching's biography, the Emperor's eulogy, and the date 524 A.D. The sides are decorated with large dragons. The cover of the tablet is surrounded by a bevelled edge of conventionalized dragon heads and contains remnants of bronze handles at the four corners. Along the sides, on the top surface, are eight blank squares indicating places for sacrificial vessels. The major figures and forms on the stones stand in relief and have been polished to form an even surface; the spaces betwen were left rough. All six reliefs are in fairly good condition with the exception of the cover for the memorial tablet which has been gouged at the corners. The sarcophagus was undoubtedly carved at Loyang, the Northern Wei capitol from 484 A.D. — Epitaph cover of Prince Yuan Mi, 524
China

G208

Free standing figure, modeled in the round, with a rich brown patination. — Justice, early 16th century
Attributed to Niccolò Tribolo

G310

scepter with 2 snakes with knotted bodies at top, a pair of wings below and a bulbous form on a bent stem — Caduceus, 2nd century
Roman

G241

Religion: OT. Moses at a well meets the seven daughters of Jethro — Moses Defending the Daughters of Jethro, 17th century
Sébastien Bourdon

Not on View

Still Life. — Still Life with Fruit, c. 1860
Severin Roesen

Not on View

Study for the marble statue in the Loggia dei Lanzi, Florence, Italy — Abduction of Polyxena, c. 1855
Pio Fedi

G357

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